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I used to work in the kinds of places the Backrooms movie brought to the big screen — endless corridors, half‑finished rooms, humming lights, and liminal spaces that felt like reality had slipped sideways. In this video, I revisit those memories from my construction days and show how real‑world backrooms, service tunnels, and unfinished complexes can feel just as unsettling as the ones in Kane Parsons’ 2026 A24 film. If you loved the movie’s eerie atmosphere — the fluorescent buzz, the empty yellow rooms, the sense that something might be watching — you’ll recognise a lot of that here.…
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